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Ten Movies on an Island: Westerns

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You already know most of these are going to be John Wayne films. Basically all but three and there's two more in the honorable mentions. What can I say?
1. Stagecoach (1939) - John Wayne & Claire Trevor, Thomas Mitchell, Andy Devine
2. Angel and the Badman (1947) - John Wayne & Gail Russell
3. She Wore a Yellow Ribbon (1949) - John Wayne
4. Rio Grande (1950) - John Wayne & Maureen O'Hara
5. Broken Lance (1954) - Robert Wagner, Spencer Tracy
6. The Searchers (1956) - John Wayne
7. Rio Bravo (1959) - John Wayne, Dean Martin, Ricky Nelson
8. Alias Jesse James (1959) - Bob Hope
9. Cat Ballou (1965) - Jane Fonda, Lee Marvin, Michael Callan, Dwayne Hickman
10. The Shootist (1976) - John Wayne & Lauren Bacall, James Stewart, Ron Howard
Honorable Mentions:The Comancheros (1961), El Dorado (1966), Duel at Diablo (1966)

In case you were wondering, my favorite Westerns on the small screen are Maverick, Have Gun Will Travel, and most episodes of Bonanza (though if IS exasperating how none of the boys EVER get married).

Ten Movies on an Island: Disney

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Yes, Disney is its own genre and an important part of Hollywood History! What would this world be like without their animated movies? Or their feel-good live action films? True, the Disney of today has its problems, but the Disney of Yore still retains it's magic after nearly 100 years.

Here are my top ten Classic Disney films, both animated and live-action:
1. Cinderella (1950)
2. Alice in Wonderland (1951)
3. Sleeping Beauty (1959)
4.  One Hundred and One Dalmatians (1961)
5. The Parent Trap (1961) - Hayley Mills, Maureen O'Hara, Brian Keith
6. The Three Lives of Thomasina (1964) - Karen Dotrice, Matthew Garber
7. Mary Poppins (1964) - Julie Andrews & Dick Van Dyke
8. That Darn Cat! (1965) - Hayley Mills, Dean Jones
9. The Jungle Book (1967)
10. Robin Hood (1973)
Honorable Mentions: Peter Pan (1953), The Shaggy Dog (1959), The Absent-Minded Professor (1961), Son of Flubber (1963), The Ugly Dachshund (1966), & Blackbeard's Ghost (1968).

Are you a big Disney fan? What films are most magical to you? Do you know all the words to The Ballad of Davy Crockett? Lol ;) Here's a complete list to refresh your memory. (Btw, anyone have any thoughts on the upcoming Mary Poppins film? If it was anyone other than Emily Blunt I would be totally against it but I think she will make a fantastic Mary Poppins! If only the script is good...)

Tomorrow, my top ten (dramatic pause)
. . .
 
Dramas.

Ten Movies on an Island: Dramas

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As you can tell from all the lists I have been posting these last couple of weeks, I'm a comedy person. I like movies that make me laugh. But every once in a while, I like a serious movie.

Dramas have been around for centuries, since the times of the Ancient Greeks. We all know the famous symbol of the two Greek masks, one laughing and the other with the corners of its' mouth turned down repesenting comedy and drama. From Wikipedia:
Since the 19th century, the word "drama" has also been used in a more narrow sense to designate a specific type of play. Drama is defined in this modern usage as "a genre of narrative fiction (or semi-fiction) intended to be more serious than humorous in tone" which focuses on in-depth development of realistic characters who must deal with realistic emotional struggles.
I struggled more with this list, as on some films I was unsure if Drama was the best category for a film or if it belonged primarily in another genre. For example, there aren't any Hitchcock on here because I consider his films to be suspense/mystery.

As I continue to watch more films, I know this list will change. There are still numerous must-see Dramas that I haven't seen yet. But for now, here are my favorite Dramas:
1. Random Harvest (1942) - Greer Garson & Ronald Colman
2. Now, Voyager (1942) - Bette Davis & Paul Henreid
3. A Stolen Life (1946) - Bette Davis & Glenn Ford
4. The Best Years of Our Lives (1946) - Dana Andrews, Fredric March, Myrna Loy, Teresa Wright
5. Sunset Boulevard (1950) - Gloria Swanson & William Holden
6. The Robe (1953) - Richard Burton & Jean Simmons, Victor Marture
7. Until They Sail (1957) - Jean Simmons & Paul Newman
8. The Defiant Ones (1958) - Sidney Poitier, Tony Curtis
9. The Young Philadelphians (1959) - Paul Newman (I'll be writing about this for the Order in the Court Blogathon next week)
10. The Hustler (1961) - Paul Newman & Piper Laurie, George C. Scott, Jackie Gleason
Honorable Mentions: In Name Only (1939), The Dark Mirror (1946), Portrait of Jennie (1948), The Men (1950), My Cousin Rachel (1953), The War Lover (1962)

What do you think? Was this list what you expected?

Tomorrow, my Top Ten Screwball/Romantic Comedies!

Ten Movies on an Island: Screwball/Romantic Comedies

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Screwball and Romantic Comedies are my favorite movies. They are usually the kind of films I find myself watching over and over. To read more about the differences between Screwball Comedy and Romantic Comedy, check out my post here.
1. Theodora Goes Wild (1936) - Melvyn Douglas & Irene Dunne
2. Bringing Up Baby (1938) - Katharine Hepburn & Cary Grant
3. Bachelor Mother (1939) - Ginger Rogers & David Niven, Charles Coburn
4. Third Finger, Left Hand (1940) - Melvyn Douglas & Myrna Loy
5. Mr. and Mrs. Smith (1941) - Robert Montgomery & Carole Lombard
6. The More the Merrier (1943) - Jean Arthur & Joel McCrea, Charles Coburn
7. Magic Town (1947) - James Stewart & Jane Wyman
8. Mr. Blandings Builds His Dream House (1948) - Cary Grant & Myrna Loy, Melvyn Douglas
9. Sunday in New York (1963) - Jane Fonda & Rod Taylor, Cliff Robertson
10. Not with My Wife, You Don't! (1966) - Tony Curtis, George C. Scott, Virni Lisi
Honorable Mentions: Double Wedding (1937), The Lady Eve (1941), Princess O'Rourke (1943), Two Guys From Milwaukee (1946), Never Say Goodbye (1946), The Lady Takes a Sailor (1949), The Thrill of it All (1963), Send Me No Flowers (1964), Sex and the Single Girl (1964).

I had Roman Holiday (1953) on here but when I looked it up it said Drama/Romance so I took it back off. It's one of those movies that fits under several genres and defies categorization. What would YOU put it under?

Tomorrow, my post on Princess O'Rourke for the Royalty in Film Blogathon and Sunday my Top Ten Comedies!

Princess O'Rourke (1943)

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Before Audrey Hepburn ran off for a Roman Holiday with Gregory Peck, Olivia de Havilland had a New York holiday with Robert Cummings. But where-as Audrey had to choose duty over love, Olivia gets both.

De Havilland is a princess living in exile in New York City, as her country (unnamed) has been invaded by Nazi Germany (her parents, the king and queen, are still over there). With her is her uncle, played by Charles Coburn, and her secretary, Miss Haskell, played by Gladys Cooper. Princess Maria (de Havilland) is exceedingly unhappy with her situation. Even the arrival of a new hat fails to lift her spirits. After a count with a nervous tick comes calling, Maria imagines what their children would be like, with his tick combined with another tick that runs in his family line (de Havilland's comedic timing is perfect in this scene, which you can watch below). Worried with the way Maria is acting, her uncle suggests a change of scenery.


Maria then finds herself on a night flight to San Francisco, registered under the name of Mary Williams. Nervous of planes, Maria takes a sleeping pill. When immediate results are not forthcoming, she gets one from the stewardess. Then the co-pilot (Jack Carson). Then the pilot (Robert Cummings). He gives her two. Next thing you know, she has passed out cold.


Due to complications, the flight has to turn around and lands back in New York. Of course, no one can wake Maria up and they don't even have her real name. It doesn't help that when they are able to rouse her the tiniest bit she only speaks in French. The pilot, Eddie O'Rourke (Cummings) tries to help her walk it off. He takes her to a diner to get her some coffee, and the man there, thinking the lady just needs to sleep, giver her ANOTHER sleeping pill. There's no waking her now, so Eddie takes her to his apartment to sleep it off. He gets his co-pilot, Dave (Carson) to send over his wife (Jane Wyman) to undress Maria.

Honey, are you lucky I was raised right. I was, wasn't I?
Yeah, I guess I was.


The next morning, Maria awakens in Eddie's apartment and wearing his pajamas. He isn't there but he left a note for her, asking her to meet him later. Maria goes back to the hotel she has been staying in with her uncle, who had been frantically trying to find her when he found out about the flight. She tells him she spent the night in the ladies lounge at the airport.


After changing to a blue suit and her new hat, Maria goes walking and meets Cummings on the street. She doesn't remember him of course. They go into a drugstore and order cherry cokes.


Now that she's awake, and seeing how pretty she is, Eddie naturally wants to find out more about her. "What does your father do? For a living?" he asks, to which Maria replies, "He.. has an income."

Learning that she's a refugee, Eddie invites her to see the town with him and takes her on an ordinary date. They stop by Dave and Jean's (Wyman) apartment, were Maria learns who it was that undressed her. She is relieved. Jean also tells her that Eddie and Dave are planning to join the army as fliers.


Jean tells Maria that she has to her Women's Defense group meeting in the basement. Maria begs to come along. The lady in charge asks her what she can do. Well, she can't sew except petit-point, she can't cook, in fact, she pretty much can't do anything useful to the war effort. She is told that she can be the dummy for everyone to practice bandaging.

   
 
In the midst of it there is an air raid (and a funny episode involving the guys) and then the two couples go out to eat. Maria is called upon to tell her life story, so she concocts of tale in which she currently works as an upstairs maid. Jean tell how she and Dave got together (it's cute) and leaves both Maria and Eddie in a romantic mood. After they finish dancing, they go for a walk and Eddie asks Maria to marry him. When she is hesitant to answer, Eddie says, "Is it on account of your parents? I can support your parents!" Maria tells him no but that she loves him. She promises to call him the next day, but deep down knows that marriage to a commoner is out of the question.
 
 
Eddie, very excited, calls on his friends and asks Jean to pick out  the rings. He is so excited that when he leaves he opens the closet door by mistake.
 
You thought I was going to walk in the closet, didn't you?
 

In the meantime, Maria's uncle, has been looking into Eddie's background and is very pleased to learn that he comes from a family of nine boys, and his father one of eleven! He calls the King, Maria's father, and gets his consent to the marriage. Maria doesn't know that her uncle knows about Eddie and the following morning calls Eddie to tell him she can't marry him. "I'll always remember your asking me to marry you," she keeps telling him. Eddie, who has to leave on a flight says, "Stop repeating that!" He won't take no for an answer.

Feeling depressed, Maria tries to free her pet bird, because she knows what it's like to live in a cage (metaphorically).
 
 
Her uncle walks in and, still pretending he doesn't know anything, talk to Maria about her marrying an American, as it would be good for foreign relations. Her face brightens up as they try to think of what occupation this American should have. "Dentist? Lawyer? School teacher?"... "too uh...""yes."
Then he suggests a pilot, to which Maria responds with a excited "Yes!" And what should his name be? How about Edward O'Rourke? Maria's expression says it all (and Coburn just keeps saying, "One of nine boys. Extraordinary. His father one of eleven!"):
 

Now to tell Eddie that she is a princess.
 
Maria invites Eddie to come to the hotel where she is staying. He invites Dave and Jean to go with him. They are all stunned when they find out her true identity and immediately become ill at ease, calling her "Your Highness" and acting very stiff. Eddie then has to talk to her father on the phone. Of course it's an awkward conversation.
 
I saw you on the newsreel.

 
The Royal family wants Maria to get married right away, and they are invited by President Roosevelt to be married at the White House. On the way there, Eddie is instructed in royal diplomacy and told what his position will be. It's put to him very bluntly:
Your position in the Royal Family is most important; you are to have children, if possible, boys.
Well that's not a full days work.
Whenever Eddie questions something that sounds silly to him, he gets the response, "It's customary." He is also told he will only be a prince, and not a king.
 
I'll only be a prince. Prince! Here Prince! (shakes head).
 
They arrive at the White House (they were given special permission to film there), where they are met by Roosevelt's dog, Fala. Eddie is still pretty much in shock over the recent turn of events. When they go to sign the pre-marital agreements, Eddie becomes upset to learn that he will have to give up American citizenship and drop out of the army. He becomes so angry that he is told to leave.

Royal Princess! You're nothing but a slave.

 
Eddie goes for a walk around Washington to cool off and eventually goes back to White House to sleep, as he has no other place to go and, after all, he was invited to stay there by the President.
 
 
Maria is meanwhile in her room, the same room that the Emancipation Proclamation was signed in. "Lincoln freed the slave but he didn't free me," she sighs. Suddenly she hears a noise. Is it the ghost of Lincoln?? No, it's just Fala. Seized with inspiration, Maria writes a note to President Roosevelt and tells Fala to take it to him. A phone call is made to a supreme court judge to come and secretly  marry Eddie and Maria. Everyone takes off shoes so as not to awaken anyone else. Maria comes out of her room wearing an amazing lace peplum dress and matching hat. "Will you marry a refugee?" she asks Eddie. "Will I?"
 
My diamond's small, but my love for you isn't.

 
They go into study for the ceremony. As they leave, Eddie says he hopes that the guard who stood in as a witness doesn't get into trouble. "That wasn't a guard! That was the president!" Maria tells him. "Holy Mackeral! I tipped him a buck! And he took it!"

And with that, the film comes to a happy close.

 
Princess O'Rourke was written and directed (his directorial debut) by Norman Krasna and he won the Academy Award for Best Writing - Original Screenplay. The review in Variety read: "Princess O'Rourke is a spritely, effervescing and laugh-explosive comedy-romance. Credit for general sparkle and excellence of the picture must be tossed to Norman Krasna, who handled the writing and directing responsibilities."The New York Times claims it to be "in the best tradition of American screen comedy" and has "the fast, aggressive spirit and tempo of American life, plus a heavy slug of sentiment concealed behind wisecracks and jokes. It has that agreeable impudence which is the mark of an American's self-respect and it has, too, a nice touch of raillery for the formal, the pompous and smug." Here's how they rate the cast and director:
Norman Krasna wrote and directed the film for Warners, which hereby rates him with us in a class with such eminent film-makers as Frank Capra, Preston Sturges and George Stevens. And the whole cast plays it in a manner which should bring them all honorable awards. Miss de Havilland is charming as the princess—so modest, yet so eagerly thrilled—and Mr. Cummings makes a very amusing fellow out of the bewitched and bewildered hero. For instance, when he asks suspiciously, "What does a prince consort do?" or greets his future father-in-law on the telephone with the nervous statement, "I saw you in the newsreels," the nuances are delightful. Mr. Cummings is a new James Stewart in this.
Likewise, Charles Coburn is grandiloquent as the pompous uncle of the princess, and Jack Carson and Jane Wyman draw rich humor and honest sentiment from the roles of two friends. A word, too, must be spoken for the Scotch terrier which plays Fala, the President's dog, in this film. The trick of using the pup as a friendly symbol is the most appealing device of the year. And it fits most completely in a picture which fairly bounces with elastic good-will.
 
Not everyone was happy with the film though. The wartime Bureau of Motion Pictures (BMP)  objected to the film, saying that it was an example of the studios "... recklessly using the war for background incidents in an opportunistic attempt to capitalize on the war rather than interpret it." They cited the "ridiculous" caricatures of Red Cross workers, European nobility, and the Secret Service as examples. However, no attempt was made to censor or restrict its release (source).

The filming of Princess O'Rourke was also not a happy experience. Olivia de Havilland was exceedingly tired of all the lightweight parts Warner Brothers had been giving her and initially refused to be in the picture, and was suspended as a result. Alexis Smith was tested for the part. Olivia ended up taking the part again, though she was unhappy for much of the shooting. Cummings was frequently not available, meaning she had to act with a stand in. Charles Coburn kept forgetting his lines causing numerous retakes. During this time, Olivia was also suffering from low blood pressure, exhaustion, and low energy level, yet managed to give a sparkling comedic performance. After filming wrapped, she filed a lawsuit against Warner Brothers that set a seven year limit to studio contracts, including suspensions. "I wanted to play a real human being instead of a delightful romantic heroine," she said. She won and it became known as the de Havilland Law. After the lawsuit, she was assigned by Warners to the RKO picture Government Girl (1943), another part she disliked, and her final Warner Brother film, Devotion (completed 1943, released 1946).  Later, however, Olivia said that Princess O'Rourke was one of her more satisfying roles to play for Warners.

Princess O'Rourke will be airing on TCM on July 30th at 7:45am ET.
 
This post is part of The Royalty on Film Blogathon hosted by The Flapper Dame. Be sure to read all of the other regal posts!
 

Ten Movies on an Island: Comedies

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Comedy - "a genre of film in which the main emphasis is on humor. These films are designed to make the audience laugh through amusement and most often work by exaggerating characteristics for humorous effect." ~ Source

Here is my list of comedies (I'm running out of things to say as an intro):
1. A Day at the Races (1937) - Marx Brothers
2. Ma and Pa Kettle (1949) - Marjorie Main & Percy Kilbride
3. The Lemon Drop Kid (1951) - Bob Hope
4. We're No Angels (1955) - Humphrey Bogart, Peter Ustinov, Aldo Ray
5. Some Like it Hot (1959) - Tony Curtis, Jack Lemmon, Marilyn Monroe
6. Who Was That Lady? (1959) - Tony Curtis & Janet Leigh, Dean Martin
7. The Bellboy (1960) - Jerry Lewis
8. Pink Panther (1963) - Peter Sellers, David Niven, Capucine, Robert Wagner
9. Donovan's Reef (1963) - John Wayne, Lee Marvin
10. Help! (1965) - the Beatles
Honorable Mentions: the "Road to..." series, anything Bob Hope, 1930s Marx Brothers films.

What are your favorite comedies? Is there a particular comedian you just love?

Tomorrow, my favorite Comedy-Dramas! 

Ten Movies on an Island: Comedy-Dramas (yes, that's a thing)

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As I was compiling my top ten comedies and dramas, I kept coming across films that seemed to fit both genres and in doing so fit in neither. I looked up some of them and found that they were listed under the category of comedy-dramas, that is, a movie that "contains elements of comedy films, in addition to being a drama." Therefore, I had to make a top ten list so they wouldn't be left out :)
1. Forsaking All Others (1934) - Joan Crawford, Clark Gable, Robert Montgomery
2. Mr. Smith Goes to Washington (1939) - James Stewart & Jean Arthur
 3. Meet John Doe (1941) - Gary Cooper & Barbara Stanwyck
4. The Talk of the Town (1942) - Edward G. Robinson & Jean Arthur (more like a crime-comedy...)
5. Once Upon a Honeymoon (1942) - Cary Grant & Ginger Rogers
6. Going My Way (1944) - Bing Crosby, Barry Fitzgerald
7. Miracle on 34th Street (1947)  Maureen O'Hara & John Payne, Edmund Gwenn, Natalie Wood
8. Sabrina (1954) - Audrey Hepburn, Humphrey Bogart, William Holden
9. Mister Roberts (1955) - Henry Fonda, Jack Lemmon, William Powell, James Cagney
10. The Yellow Rolls-Royce (196) - Rex Harrison, George C. Scott, Shirley MacLaine, Ingrid Bergman, Omar Shariff
What are your favorite comedy-dramas? Do you like them better than pure comedies?

Tomorrow, my Top Ten Biographical Films! 

Ten Movies on an Island: Biographical

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Flynn as Custer, right before his last stand.

A Biographical film is
a film that dramatizes the life of a non-fictional or historically-based person or people. Such films show the life of a historical person and the central character’s real name is used. They differ from films "based on a true story" or “historical drama films" in that they attempt to comprehensively tell a person’s life story or at least the most historically important years of their lives (source).
Biographical films have been made and remade since the beginning of cinema. Presidents, Military Heros, Inventors, Musicians, Saints, Athletes, Kings and Queens, and even Actors and Actresses have all been subjects of these films which seek to memorialize an individual for something they have done. And while normally I am not a huge fan of true stories (which usually mean sad or bitter-sweet endings), there are a few that I am especially fond of:
1. The Great Ziegfeld (1936) - William Powell as Florenz Ziegfeld, Luise Rainer as Anna Held, Myrna Loy as Billie Burke
2. The Story of Alexander Graham Bell (1939) - Don Ameche as Alexander Graham Bell, Loretta Young as Mabel
3. They Died with Their Boots On (1941) - Errol Flynn as General George Armstrong Custer, Olivia de Havilland as his wife Libby
4. Gentleman Jim (1942) - Errol Flynn as Boxer Jim Corbett, with Ward Bond, Alexis Smith, Jack Carson
5. Song of Bernadette (1943) - Jennifer Jones as St. Bernadette Soubirous
6. So Goes My Love (1946) - Don Ameche as Inventor Hiram Maxim, Myrna Loy as his wife Jane Budden
7. Houdini (1953) - Tony Curtis as Harry Houdini, Janet Leigh as his wife Bess
8. Sunrise at Campobello (1960) - Ralph Bellamy as Franklin D. Roosevelt, Greer Garson as Eleanor Roosevelt
9. PT-109 (1963) - Cliff Robertson as John F. Kennedy
10. Funny Girl (1968) - Barbra Streisand as Actress Fanny Brice, Omar Sharif as first husband Nick Arnstein
My favorite modern Biopics: Rudy (1993) - Sean Astin as Rudy Ruettiger, The Queen (2006) - Helen Mirren as Queen Elizabeth II, Becoming Jane (2007) - Anne Hathaway as Jane Austen, The Young Victoria (2008) - Emily Blunt as Queen Victoria,  The King's Speech (2010) - Colin Firth as Prince Albert/King George VI.

What are your favorite biographical films?

Tomorrow, my Top Ten Horror/Ghost/Sci-fi!

Ten Movies on an Island: Horror/Ghost/Sci-fi

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I am not a Horror movie fan. I'm not a Sci-Fi movie fan either. Which is why I had to make this a Horror/Ghost/Sci-fi list.
1. The Ghost Breakers (1940) - Bob Hope & Paulette Goddard
2. *Cat People (1942) - Simone Simon & Kent Smith
3. *The Univited (1944) - Ray Milland & Gail Russell, Ruth Hussey, Donald Crisp
4. The Picture of Dorian Gray (1945) - Hurd Hatfield, George Sanders, Donna Reed
5. Lured (1947) - Lucille Ball, George Sanders
6. The Time Machine (1960) - Rod Taylor, Alan Young
7. Psycho (1960) - Anthony Perkins, Janet Leigh
8. Mysterious Island (1961) - Michael Craig, Joan Greenwood, Michael Callan
9. What Ever Happened to Baby Jane? (1962) - Bette Davis & Joan Crawford
10. The Birds (1963) - Tippi Hedren & Rod Taylor, Suzanne Pleshette

Horror films I want to see: The Unseen (1945) - a sequel of sorts to The Univited starring Gail Russell & Joel McCrea (which I just found HERE!!!!); Val Lewton's The Leopard Man (1943), and The Innocents (1961) starring Deborah Kerr, though it looks a little too creepy for me. Also The Most Dangerous Game (1932), The Mummy (1932), and Mystery of the Wax Museum (1933).

On my Netflix list: The Day the Earth Stood Still (1951) and Voyage to the Bottom of the Sea (1961).

Tomorrow, my Top Ten Action-Adventure!

Ten Movies on an Island: Film Noir

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I've already listed my Top Five Noirs in my Lists Intro. But here they are again with five more to make ten.

Last Summer I participated in the online class TCM did in conjunction with their Summer of Darkness. You can see the posts I did for that here. I was hoping for another class this summer, but I haven't heard anything so I don't think they are having one.
1. High Sierra (1941) - Humphrey Bogart, Ida Lupino, Joan Leslie
2. The Maltese Falcon (1941) - Humphrey Bogart, Mary Astor, Sydney Greenstreet, Peter Lorre
3. Laura (1944) - Gene Tierney, Dana Andrews, Clifton Webb
4. Nobody Lives Forever (1944/46) - John Garfield, Geraldine Fitzgerald, Walter Brennan (I'll be writing about this one for the Film Noir Blogathon in August)
5. The Postman Always Rings Twice (1946) - John Garfield, Lana Turner
6. Lady in the Lake (1947) - Robert Montgomery & Audrey Totter
7. Key Largo (1948) - Humphrey Bogart & Lauren Bacall, Edward G. Robinson, Lionel Barrymore
8. The Lady from Shanghai (1948) - Orson Welles & Rita Hayworth
9. Strangers on a Train (1951) - Robert Walker
10. He Ran All the Way (1951) - John Garfield & Shelly Winters
Tomorrow my review of Star Style by Patty Fox and my Top Ten Mystery/Suspense Films on Sunday! Also look for my post on The Young Philadelphians (1959) for the ORDER IN THE COURT! Blogathon within the next day or so!

Book Review: "Star Style: Hollywood Legends as Fashion Icons"

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*Star Style: Hollywood Legends as Fashion Icons by Patty Fox, discusses ten actresses who impacted fashion both on and off the screen in one way or another. Joan Crawford brought shoulder pads that would dominate the fashions of the 1940s, Greta Garbo showed that covering up was sexy, Marlene Dietrich proved that menswear could be fascinating on a woman, Marilyn Monroe perfected the innocent sex symbol, and Audrey Hepburn proved that a less-than-perfect figure could be the height of chic.

Other fashion icons in this book include Gloria Swanson - the first bona-fide Movie Star, Dolores Del Rio - the female Rudolph Valentino, Katharine Hepburn - who eschewed glamour for comfort, Lucille Ball - Mrs. America of the 1950s, and Doris Day - All American trendsetter.

This book was extremely fascinating. Chock-full on interesting tidbits and beauty secrets, it is a must for anyone who loves fashion and movies. In todays world, where movie stars are called celebrities, go out make-up free, and don't have a distinct style, these ten women remind us what Hollywood used to be like - the Glamour Capitol of the World.


*There is also an updated version that includes a new introduction with photos of modern fashion individualists Gwyneth Paltrow, Drew Barrymore, Whoopi Goldberg, and Cher. It can be purchased here.

Patty Fox also has a book titled Star Style at the Academy Awards: A Century of Glamour.

This post is for the Summer Reading Classic Film Book Challenge hosted by Out of the Past. You can sign up for it here.

Ten Movies on an Island: Suspense/Mystery

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I've been a lover of mysteries for a very long time, starting with the Nancy Drew books. So it's only natural that I have a fondness for mystery and suspense in movies!
1.  The Emperor's Candlesticks (1937) - William Powell & Luise Rainer
2. Rebecca (1940) - Laurence Olivier & Joan Fontaine
3. Shadow of a Doubt (1943) - Joseph Cotten & Teresa Wright
4. Gaslight (1944) - Ingrid Bergman & Charles Boyer
5. And Then There Were None (1945) - Barry Fitzgerald
6. Notorious (1946) - Cary Grant & Ingrid Bergman
7. A Stolen Life (1946) - Bette Davis & Glenn Ford
8. The Two Mrs. Carrolls (1947) - Humphrey Bogart & Barbara Stanwyck, Alexis Smith
 9. Sorry Wrong Number (1948) - Barbara Stanwyck & Burt Lancaster
10. 36 Hours (1964) - James Garner & Eva Marie Saint, Rod Taylor
Honorable Mentions: The Kennel Murder Case (1933), Fast and Loose (1939), Fast and Furious (1939), and The Dark Mirror (1946).

Tomorrow I will start my Top Ten Actors and Actresses Film Lists.
I will be covering actors that I have seen a great many films of, including John Wayne, Cary Grant, William Powell, Dennis Morgan, Bob Hope, Robert Montgomery, Tony Curtis & Janet Leigh, Olivia de Havilland, Bette Davis, Barbara Stanwyck, & (maybe) Doris Day. Normally I would include Myrna Loy but the majority of films I would pick would be the same as those on William Powell's list. I also love Carole Lombard, Judy Garland, and Lauren Bacall but I either haven't seen enough films or I don't LOVE ten of their films. I may drop someone as I make the lists.

Ten Movies on an Island: Cary Grant

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What island would be complete with Cary Grant? He's been in my life for as long as I can remember. The first film I saw of his was probably Arsenic and Old Lace (I would leave the room for some of the "scary" parts - Dr. Einstein freaked me out more than Jonathon).
1. Bringing Up Baby (1938)
2. In Name Only (1939)
3. The Philadelphia Story (1940)
4. Once Upon a Honeymoon (1942)
5. Arsenic and Old Lace (1944)
6. Notorious (1946)
7. Mr. Blandings Builds His Dream House (1948)
8. Operation Petticoat (1959)
9. Monkey Business (1952)
10. Father Goose (1964)
Honorable Mentions: the rest of his films ;) jk. My Favorite Wife (1940), The Bishop's Wife (1947), Every Girl Should Be Married (1948), I Was a Male War Bride (1949), and Charade (1963).

A few days ago I made a list of Cary Grant films that I haven't seen and there wasn't many (of the ones after he became famous). Out of the films he made before Topper (1937) I've only see Suzy (1936) and I will be watching Sinners in the Sun (1932) for the Hot and Bothered Blogathon.

Ten Movies on an Island: Bette Davis

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Bette Davis is a powerful force. Any time she is on the screen she dominates it. If she is in a film it instantly becomes a "Bette Davis Movie."

Davis is an actress that I came to relatively late, as in, she wasn't an actress of my childhood. When I became interested in her, I set out to watch as many of her films as I could. I watched The Petrified Forest, Jezebel, and Of Human Bondage, all which were touted to be great performances by her (the latter two especially). But I didn't really like them. I thought I liked Crawford better. Then I watched more Davis. And now it is safe to say I prefer her eyes over Crawford's shoulder pads ;)

Anyway, out of the 19 (is that it??) films of Bette's that I have seen so far, here are the ones that made the cut:
1. Jimmy the Gent (1934) - James Cagney
2. Dangerous (1935) - Franchot Tone
3. All This, and Heaven Too (1940) - Charles Boyer
4. The Bride Came C.O.D. (1941) - James Cagney
5. Now, Voyager (1942) - Paul Heinried, Gladys Cooper
6. A Stolen Life (1946) - Glenn Ford
7. June Bride (1948) - Robert Montgomery
8. Another Man's Poison (1951) - Gary Merrill
9. Whatever Happened to Baby Jane? (1962) - Joan Crawford
10. Dead Ringer (1964) - Peter Lawford, Karl Malden
Want to see: Dark Victory (1939), The Letter (19490), & Old Acquaintance (1943).

What are your favorite Davis films? Or do you prefer Crawford? Also, check out my post of Davis's television appearances.

The Young Philadelphians (1959)

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ORDER! ORDER IN THE COURT!!!

I know, I know, it's difficult with Paul Newman in here but you will just have to calm down! At least enough so I can tell you about one of Paul's movies, The Young Philadelphians (1959).

 Reminds me of the opening credits of Catch Me if You Can (2002).
 
This movie is one of those films that feels like several movies in one in that it is rather episodic. It also features a host of Classic Television Stars (Adam West - Batman, Robert Vaughn - Napoleon Solo, Brian Keith - Uncle Bill, Diane Brewster - Miss Canfield) as well as a nice mix of Old and New Hollywood.
 
The movie opens on a wedding night. But it is not destined to be a happy one. Kate Judson Lawrence (Diane Brewster) has married socially prominent Bill Lawrence (Adam West) to ensure that her children have a better start in life than she did. In their hotel room Bill becomes upset and says he can't go through with it. It turns out he is unable to have children (or is a homosexual). He leaves Kate alone and drives off into the night.
 
 
Kate, also upset, goes to her true love, Mike Flanagan (Brian Keith), a poor laborer, to seek solace. The next morning she learns that Bill died in a car crash. Not long after his death, Kate discovers she is pregnant. Bill's mother threatens to tell everyone the truth but after Kate says that all she wants for her child is the Lawrence name and not the Lawrence fortune, not to mention that she threatens to tell everyone the truth about Bill, his mother agrees to keep her secret.
 
Isobel Elsom as Mrs. Dewitt Lawrence
 
Fast-forward several years later and we come upon handsome Anthony 'Tony' Judson Lawrence (Paul Newman). He is a pre-Law student at Princeton and in the summer works at Mike Flanagan's successful construction company. We learn that Kate did not marry Mike because he wouldn't be able to "open the right doors" for her son but has remained close friends with him. Mike has become a father figure to Tony, who is oblivious to his true origins.
 
 
While at work he meets Joan Dickinson (Barbara Rush), the daughter of Gilbert Dickinson (John Williams), a prominent attorney. Later, they meet again at a party. Soon the two are dating and considering marriage. Their parents however, have other plans.
 
 
On the night Joan and Tony are planning to elope, Mr. Dickinson suddenly comes by with an offer Paul can't refuse (the theme in this movie is rich parents interfering with their children's lives resulting in loveless marriages). He accepts, Joan marries someone else, and Tony has a fling with an older woman (Alexis Smith) married to an even older man, Mr. Wharton (Otto Kruger) in order to climb even further in his career (as a lawyer).  
 
 
However, once Tony has established himself as an up-and-coming lawyer, the Korean War comes along. He makes it through unscathed but his friend Chester (Robert Vaughn) loses an arm and Joan's husband conveniently dies, leaving the way open for her and Tony to rekindle their romance at a later date.
 
Back at Mr. Wharton's firm, Tony is given a low-position job. This doesn't sit well with him. He's not going to let the war ruin his promising career. Salvation comes in the form of a feather-brained elderly woman, the delightful Billie Burke, Mrs. J. Arthur Allen. The ensuing case shows that Tony is a force to be reckoned with; he's not only smart, he's also shrewd.
 
 
Robert Vaughn, who plays Tony's friend Chester A. Gwynn, describes what happens next perfectly:
 
 
Chester "Chet"
 
Gwenn's family threaten to reveal Tony's background if he takes Chester's case, leading his mother to reveal who is father is. Tony takes the case anyway and proves that he's got what it takes to win not only the case, but also silence the people who threaten his career (he's got some information up his sleeves too).
 
 
Here's where it all goes down (with Richard Deacon from The Dick Van Dyke Show and Leave it to Beaver as the butler):
 
 
Sorry if this post is a little confusing. There's a lot going on and it's been a while since I saw it (I wasn't able to get it from the library like I thought). You can read a full Synopsis on the TCM website.
 
Barbara Rush (Joan) on the enduring popularity of the film and working with people she admired:
 
 
Finally, here's a cute interview by Barbara Rush with Paul Newman while he was filming Hombre.
 


This post is part of the ORDER IN THE COURT! The Classic Courtroom Movies Blogathon hosted by CineMaven's Essays from the Couch& Second Sight Cinema. Be sure to read all of the other legal posts. If you don't I will SEE YOU IN COURT!!!


Ten Movies on an Island: Tony Curtis & Janet Leigh

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Tony Curtis and Janet Leigh are one of my favorite on-screen couples. I saw Curtis first in The Defiant Ones and Leigh first in Psycho. Then I saw several more Curtis films before seeing the two of them in either The Perfect Furlough or Who Was that Lady?. The only film of theirs I haven't seen is The Black Shield of Falworth.
1. Holiday Affair (1949) - Leigh & Robert Mitchum
2. Confidentially Connie (1953) - Leigh & Van Johnson
3. The Defiant Ones (1958) - Curtis & Sidney Poitier
4. The Perfect Furlough (1958) - Curtis & Leigh
5. Some Like it Hot (1959) - Curtis & Jack Lemmon & Marilyn Monroe
6. Operation Petticoat (1959) - Curtis & Cary Grant
7. Who Was That Lady? (1960) - Curtis & Leigh & Dean Martin 
8. Sex and the Single Girl (1964) - Curtis & Natalie Wood, Henry Fonda & Lauren Bacall
9. The Great Race (1965) - Curtis & Natalie Wood & Jack Lemmon
10. Not With My Wife, You Don't! (1966) - Curtis & George C. Scott
Honorable Mentions: Angels in the Outfield (1951), Houdini (1953), and Psycho (1960).

Want to watch: No Room for the Groom (1952).

Ten Movies on an Island: Olivia de Havilland

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Obviously I love Olivia de Havilland (otherwise I wouldn't be co-hosting a blogathon for her in a week and a half). Ever since I saw her in The Adventures of Robin Hood when I was little I thought her to be one of the most beautiful women I had ever seen. When I was older and saw her in They Died with Their Boots on, I discovered just how fantastic she is as an actress. Since then I have watched several of her films and inevitably have come up with some favorites. Here they are:
1. The Adventures of Robin Hood (1938) - Errol Flynn (airing July 1)
2. Gone With the Wind (1939) - Vivien Leigh & Clark Gable (airing July 1)
3. My Love Came Back (1940) - Jane Wyman & Eddie Albert (airing July 23)
4. The Strawberry Blonde (1941) - James Cagney (airing July 22)
5. They Died with Their Boots on (1941) - Errol Flynn (airing July 8)
6. The Male Animal (1942) - Henry Fonda (airing July 29)
7. Princess O'Rourke (1943) - Robert Cummings (airing July 30)
8. The Dark Mirror (1946) - herself (not being shown but on YT)
9. The Heiress (1949) - Montgomery Clift (airing July 15)
10. My Cousin Rachel (1952) - Richard Burton (airing July 22)
Honorable Mentions: Alibi Ike (1935), and The Irish in Us (1935) or Wings of the Navy (1939) - can't remember which one I liked better as they are very similar. They are also airing on TCM in July.

I am very excited that Olivia is TCM's Star of the Month for July. I particularly want to see Four's a Crowd and Raffles. I've been freeing up my dvr in anticipation. Which films are you looking forward to seeing? Have you signed up for the blogathon? It's not too late!!

Another Liebster Award!!

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I was nominated for another Liebster Award today by the lovely Christina Wehner. Thanks so much, Christina!! She has asked some amazing, thought-provoking questions so I will get right to them, right after I nominate some bloggers.

I NOMINATE*:

Hamlette's Soliloquey
CineMaven's Essays From the Couch
Back to Golden Days
Pop Culture Reverie

*If you've recently been nominated for a Liebster feel free to turn this on down. I checked your blogs to see if you have been nominated recently.

Okay, back to the questions:

1 – Book you would most liked to have seen Alfred Hitchcock turn into a movie.
Good question! Probably Cat Among the Pigeons by Agatha Christie (because there's already two versions of Ten Little Indians/And Then There Were None). Poroit's Christmas is a good one too.
2 – Book you would most like to see turned into a musical.
I honestly have no idea. The kinds of books I read aren't 'musical' material. Maybe a biopic of Dorothy Lamour based on her autobiography My Side of the Road.
3 – Favorite movie musical score or soundtrack?
I love the soundtrack to You've Got Mail (1998) and have it on cd.
4 – Stars you would have liked to have seen paired in a musical.
Again, I don't really know. Given that I don't watch that many musicals I don't know who's already been paired. Maybe just give Judy Garland a manly lead for once.
5 – Least favorite musical.
Oklahoma.
6 – If your life was turned into a musical biopic, would you rather be played by a singer or dancer?
Since I sing I guess I would want a singer (Judy Garland please) but I feel like dancing inside, even though I'm terrible at it, so... Incidentally, my life would make the most boring musical biopic ever lol.
7 – Classic movie you would most like to see on the big screen.
I really want to see Dial M for Murder in 3D like it was filmed! I also want to see Roman Holiday.
8 – Movie you would most like to see remade today.
Normally I'm not a fan of remakes so I can't think of anything off the top of my head. I would probably take a movie that had the potential to be good and remake it.
9 – Best book you’ve read in the last year.
I read a lot of books, but Please Don't Eat the Daisies was hilarious. I'm currently reading The Venetian Affair by Helen MacInnes.
Here are two questions that were also asked by Cinematic Frontier:
10 – “Which film recently made you reflect on it long after the credits were over?”
Maybe The Hustler (1961)? I was really blown away by Gleason's acting as well as the opening and closing credits and the cinematography. Re-watching The Best Years of Our Lives (1946) was also an amazing experience.
11 – “Who is your favorite composer?”
If we're talking classical music I would say Tchaikovsky, Strauss, and Edward Grieg. If we're talking movie composers it would be Hans Zimmer.

Now, here are my eleven questions to be answered by the blogs I nominated:

1.  Out of the classic movie stars still alive (Olivia de Havilland, Doris Day, Debbie Reynolds, Eva Marie Saint, Kim Novak, Sophia Loren, Julie Andrews, Angela Lansbury, Joanne Woodward, Robert Wagner, Jerry Lewis, Sidney Poitier, Dick Van Dyke, Mary Tyler Moore, to name some), who would you most like to meet and what would you talk about?

2. That one classic movie you really want to see but can't seem to get your hands on a copy.

3. Current movie star crush (and by current I mean the one you're crushing on right now, not necessarily a current celebrity).

4. James Stewart or Gary Cooper?

5. You're interning at a studio and you find a box (let's say 23 ft) hidden away that hasn't been touched in decades. What do you find inside?

6. What would you write your thesis on if you got a films studies degree?

7. What TV house would you like to live in?

8. A Classic Movie Star asks you to help them write their autobiography, who is it?

9. Do you prefer films with over-the-top costumes that are a feast to the eyes or films where the costumes aren't noticeable and where your main focus is the story?

10. Last year TCM had a free online class on Film Noir. What topic would you like to see a free class on in the future?

11. What Olivia de Havilland film are you most looking forward to seeing in July?


Just a few more days to the Olivia de Havilland Centenary Blogathon!!!

Ten Movies on an Island: Dennis Morgan

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Dennis Morgan is one of my favorite actors. I first discovered him (probably along with most of you) in Christmas in Connecticut (1945), the Christmas classic starring Barbara Stanwyck. I quickly started watching more. His most frequent co-star was Jack Carson. I have previously written about both men. You can read my post on Dennis Morgan here (along with descriptions of most of these films) and Jack Carson here.
1. Three Cheers for the Irish (1940)
2. Affectionately Yours (1941)
3. Kisses for Breakfast (1941)
4. The Very Thought of You (1944)
5. Christmas in Connecticut (1945)
6. One More Tomorrow (1946)
7. Two Guys From Milwaukee (1946)
8. It's a Great Feeling (1949)
9. The Lady Takes a Sailor (1949)
10. Pretty Baby (1950)
Have you seen Morgan in any movies other than Christmas in Connecticut?

THE OLIVIA DE HAVILLAND CENTENARY BLOGATHON IS HERE!!!!!!!

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HAPPY 100th BIRTHDAY OLIVIA!!!!!

 
Tomorrow Olivia's Centenary Blogathon begins! You can leave the links to your post on either this blog or Crystals. We will have posts for days 1, 2, and 3 as well as a Wrap-up post on Monday for late entries. I am so excited to see all of the post honoring this legendary actress.
 
Day 1 | Day 2 | Day 3 | Day 4 wrap-up
 
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